2021, 王晗一 [Wang Hanyi], “马尼拉的中国形象:十六世纪末《谟区查抄本》中的中国人物插画研究 [The China Images in Manila: Research of China Images’ Illustrations on the Late Sixteenth Century Boxer Codex]”, in Advances in Social Science, Education and Humanities Research, volume 594, →DOI, page 614:
Ellen Hsieh 认为,将“常来 Sangley”人物置于“廣東”夫妇之后,很可能是画师的刻意安排,从侧面突出来自福建的常来人地位优于广东人。
2021, 派崔克.佛洛雷斯 [Patrick Flores], “凱薩賽聖母(圖像) [Our Lady of Caysasay (Image)]”, in 地域性的子午線:菲律賓和臺灣的藝術史書寫與當代文化策展 [Meridians of Region: Writing Art History and Curating Contemporary Culture in the Philippines and Taiwan][1], Philippine Contemporary Art Network & Taiwan Visual Art Archive, page 290:
Lee foregrounds Juan Imbin, a Chinese in the Philippines, or a Sangley, who supposedly rose from the dead after he was thought to have died with fellow Sangleys. He claimed that the Virgin “appeared at sea and guided him back into his town.” That the miracle happened to a Sangley complicated matters for the Spanish officials in the Philippines who were suspicious of the Chinese and their moral and ethical disposition.