1987, Fine Chinese Ceramics and Works of Art[1], →OCLC, page 35, column 1:
A very similar granary with a light green glaze is illustrated in the Charles B. Hoyt Collection Catalogue, vol 1, pl. 16, in the Museum of Fine Arts, Boston. Compare also a related granary with a small cover found at Tulanghawang, South Sumatra and now in the Museum Pusat, Jakarta, published in Oriental Ceramics, The Worlds Great Collections, vol. 3, 1982, fig. 5, and another excavated from a tomb of the late Western or early Eastern Han dynasty in Sijian'gou[sic – meaning Sijiangou],[...]
1987, Renbo Wang, “General Comments on Chinese Funerary Sculpture”, in Julia F. Andrews, transl., edited by Susan L. Caroselli, The Quest for Eternity: Chinese Ceramic Sculptures from the People's Republic of China[2], →ISBN, →LCCN, →OCLC, →OL, page 50:
In Sijian'gou[sic – meaning Sijiangou], in Jiyuan County, Henan, a late Western Han tomb yielded a representation of a new subject in Han sculpture, a glazed earthenware image identified as the mythical tree on Mount Peach Capital (cat. no. 28).
1997, Kaikodo Journal[3], number 5, →OCLC, page 194:
[...]and the fact that some are only partially glazed, contribute to the notion that the pieces are early in the evolution of Han lead-galzed ceramics, supported by the late Western Han date suggested for the Sijian'gou[sic – meaning Sijiangou] tomb [...]
2007, Hans Ulrich Vogel, “The Diffusion and Transmission of the Rotary-Fan Winnowing Machine from China to Europe: New Findings and New Questions”, in History of Technology[4], volume 27, Continuum International Publishing Group, →ISBN, →OCLC, page 8:
In 1969, two pottery models were found in the Former Han tombs no. 8 and no. 24 at Sijian’gou[sic – meaning Sijiangou]泗澗溝 in Jiyuan 濟源 (Henan).
