2012, Kevin O'Toole & Nathaniel Edwards, "Abandon All Hope...", North by Northwestern, Fall 2012, page 51:
You may not be paid, but you've got major cred with Weird Twitter, so enjoy it while it lasts, @pizzahut.
2013, Zachary Zahos, "The Filthy, Brilliant Back Alleys of Twitter", The Cornell Daily Sun (Cornell University), 16 October 2013, page 16:
But while the tweets may look similarly 'broken,' it must be emphasized that "Weird Twitter" is a simple label for a very diverse pool of comedy.
2013, Samantha Bares, "We should appreciate 'Weird Twitter'", The Daily Reveille (Louisiana State University), 12 November 2013, page 9:
Since being discovered, Weird Twitter has been poked, prodded, analyzed and made merciless fun of.
2014, Andrew Fifield, "Clickbait", Metro (Edmonton), 17 March 2014, page 14:
From lengthy treatises on punk music to a spotlight on the joke factories that make up "Weird Twitter," Jake Fogelnest has his finger on many pulses.
2015, Daniel Konikoff, "140 characters of comic gold", Varsity (The University of Toronto), 22 March 2015, page 18:
Oftentimes, the funniest tweets emerge from the peculiar depths of "Weird Twitter," a subculture so twistedly surreal that it could curl Salvador Dali's moustache.
2017, Sam Rosenberg, "The Wonderfully Weird World of 'Weird Twitter'", The Michigan Daily (The University of Michigan), 19 January 2017, page 2B:
On the contrary, Weird Twitter offers a creative, comedic space for some of the internet's most sarcastic, anti-intellectual and angsty voices.
2017, Ryan Smith, "Socialism's New Boom", Chicago Reader, 24 August 2017, page 15:
The stars of Weird Twitter and Left Twitter, amorphous but overlapping subcultures, have become known for posting absurd, subversive, and incisive non sequiturs.
