2011, Kevin Hetherington, Capitalism's Eye: Cultural Spaces of the Commodity, Routledge (→ISBN), page 103:
Chapter Five
The Distracted Flâneuse
[...] she might, therefore, in the guise of the flâneuse, be an alternative model for thinking about the subject in modernity.
2015, Hsiao-yen Peng, Dandyism and Transcultural Modernity: The Dandy, the Flaneur, and the Translator in 1930s Shanghai, Tokyo, and Paris, Routledge (→ISBN):
As a group, the masses are monolithic and fearful, representing either the forces of revolution or the commodification of women. Yet each individual of the masses, if singled out, could be a flâneur and a flâneuse, instantly losing the gigantic anonymity that makes the masses a horrific entity. As helpless individuals, they are the forlorn spirits devastated by social injustice and displacement caused by either colonial expansion or revolution, homeless and alone in a foreign land.