Template:RQ:Twain Innocents Abroad
1869, Mark Twain [pseudonym; Samuel Langhorne Clemens], The Innocents Abroad, or The New Pilgrims’ Progress; […], Hartford, Conn.: American Publishing Company. […], →OCLC:
- The following documentation is located at Template:RQ:Twain Innocents Abroad/documentation. [edit]
- Useful links: subpage list • links • redirects • transclusions • errors (parser/module) • sandbox
Usage edit
This template may be used in Wiktionary entries to format quotations from Mark Twain's work The Innocents Abroad (1st edition, 1869). It can be used to create a link to an online version of the work at the Internet Archive.
Parameters edit
The template takes the following parameters:
|1=or|chapter=– the chapter number quoted from in uppercase Roman numerals.|2=or|page=, or|pages=– mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:- Separate the first and last pages of the range with an en dash, like this:
|pages=10–11. - You must also use
|pageref=to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).
- Separate the first and last pages of the range with an en dash, like this:
- This parameter must be specified to have the template link to the online version of the work.
|3=,|text=, or|passage=– the passage to be quoted.|footer=– a comment on the passage quoted.|brackets=– use|brackets=onto surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, “some people find the word manoeuvre hard to spell”) rather than an actual use of it (for example, “we need to manoeuvre carefully to avoid causing upset”), or does not provide an actual instance of a term but provides information about related terms.
Examples edit
- Wikitext:
{{RQ:Twain Innocents Abroad|chapter=XIX|page=190|passage=Here, in Milan, in an ancient tumble-down ruin of a church, is the mournful wreck of the most celebrated painting in the world—"[[w:The Last Supper (Leonardo)|The Last Supper]]," by {{w|Leonardo da Vinci}}. {{...}} And the first thing that occurred was the infliction on us of a placard fairly reeking with wretched English. {{...}} And then {{w|Peter}} is described as "'''argumenting''' in a threatening and angrily condition at {{w|Judas Iscariot}}."}}; or{{RQ:Twain Innocents Abroad|XIX|190|Here, in Milan, in an ancient tumble-down ruin of a church, is the mournful wreck of the most celebrated painting in the world—"[[w:The Last Supper (Leonardo)|The Last Supper]]," by {{w|Leonardo da Vinci}}. {{...}} And the first thing that occurred was the infliction on us of a placard fairly reeking with wretched English. {{...}} And then {{w|Peter}} is described as "'''argumenting''' in a threatening and angrily condition at {{w|Judas Iscariot}}."}}
- Result:
- 1869, Mark Twain [pseudonym; Samuel Langhorne Clemens], chapter XIX, in The Innocents Abroad, or The New Pilgrims’ Progress; […], Hartford, Conn.: American Publishing Company. […], →OCLC, page 190:
- Here, in Milan, in an ancient tumble-down ruin of a church, is the mournful wreck of the most celebrated painting in the world—"The Last Supper," by Leonardo da Vinci. […] And the first thing that occurred was the infliction on us of a placard fairly reeking with wretched English. […] And then Peter is described as "argumenting in a threatening and angrily condition at Judas Iscariot."
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