Usage
editThis template may be used in Wiktionary entries to format quotations from John Dryden's work All for Love: Or, The World Well Lost. A Tragedy (1st edition, 1678). It can be used to create a link to an online version of the work at the Internet Archive.
Parameters
editThe template takes the following parameters:
|chapter=– if quoting from one of the chapters indicated in the second column of the following table, give this parameter the value indicated in the first column:
| Parameter value | Result |
|---|---|
| Epilogue | Epilogue |
| Epistle Dedicatory | To the Right Honourable Thomas Earl of Danby, […] |
| Preface | Preface |
| Prologue | Prologue to Anthony and Cleopatra |
- As the epistle dedicatory and preface are unpaginated, use
|1=or|page=to specify the "page number" assigned by the Internet Archive to the URL of the webpage to be linked to. For example, if the URL ishttps://archive.org/details/allforloveorworl00indryd/page/n8/mode/1up, specify|page=8. (The prologue and epilogue are also unpaginated, but the template can determine the URLs.)
|1=or|page=, or|pages=– mandatory: the page number(s) quoted from. If quoting a range of pages, note the following:- Separate the first and last page numbers of the range with an en dash, like this:
|pages=10–11. - You must also use
|pageref=to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).
- Separate the first and last page numbers of the range with an en dash, like this:
- This parameter must be specified to have the template determine the act number (I–V) quoted from, and to link to the online version of the work.
|act=– mandatory in some cases: in most cases, if the page number is specified the template can determine the act number quoted from. However, it is unable to do so if page 15 or 63 is specified, in which case this parameter must be used to specify the act number in uppercase Roman numerals, like this:|act=I.
| Act I pages 1–15 |
Act II pages 15–29 |
Act III pages 30–44 |
Act IV pages 45–63 |
Act V pages 63–78 |
|2=,|text=, or|passage=– the passage to be quoted.|footer=– a comment on the passage quoted.|brackets=– use|brackets=onto surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, "some people find the word manoeuvre hard to spell") rather than an actual use of it (for example, "we need to manoeuvre carefully to avoid causing upset"), or does not provide an actual instance of a term but provides information about related terms.
Examples
edit- Wikitext:
{{RQ:Dryden All for Love|page=56|passage='Tis not vvell, / Indeed my Lord, 'tis much unkind to me, / To ſhovv this paſſion, this extream '''concernment''' / For an abandon'd, faithleſs Proſtitute.}}(the template is able to determine the act number automatically); or{{RQ:Dryden All for Love|56|passage=3='Tis not vvell, / Indeed my Lord, 'tis much unkind to me, / To ſhovv this paſſion, this extream '''concernment''' / For an abandon'd, faithleſs Proſtitute.}}
- Result:
- 1677 (first performance), John Dryden, All for Love: Or, The World Well Lost. A Tragedy, […], [London]: […] Tho[mas] Newcomb, for Henry Herringman, […], published 1678, →OCLC, Act IV, page 56:
- 'Tis not vvell, / Indeed my Lord, 'tis much unkind to me, / To ſhovv this paſſion, this extream concernment / For an abandon'd, faithleſs Proſtitute.
- Wikitext:
{{RQ:Dryden All for Love|chapter=Epistle Dedicatory|page=9|passage=Your Enemies had ſo '''embroyl'd''' the management of your Office, that they look'd on your Advancement as the Inſtrument of your Ruine.}} - Result:
- 1677 (first performance), John Dryden, “To the Right Honourable Thomas Earl of Danby, Viscount Latimer, and Baron Osborne of Kiveton in Yorkshire, Lord High Treasurer of England, One of His Majesties Most Honourable Privy-Council, and Knight of the Most Noble Order of the Garter, &c.”, in All for Love: Or, The World Well Lost. A Tragedy, […], [London]: […] Tho[mas] Newcomb, for Henry Herringman, […], published 1678, →OCLC, Act I:
- Your Enemies had ſo embroyl'd the management of your Office, that they look'd on your Advancement as the Inſtrument of your Ruine.