Template:RQ:Herrick Hesperides/documentation

Usage

This template may be used on Wiktionary entry pages to quote from Robert Herrick's work Hesperides: Or, The Works both Humane and Divine (1st edition, 1648; and 1844 version, 2 volumes). It can be used to create a link to online versions of the work at Google Books and the Internet Archive:

• 1st edition (1648).
• 1844 version (archived at the Internet Archive):
  • Volume I (contents).
  • Volume II (contents).

Parameters

The template takes the following parameters:

• |year= – mandatory in some cases: if quoting from the 1844 version, specify |year=1844. If this parameter is omitted, the template defaults to the 1st edition (1648).
• |part= – mandatory in some cases: if quoting from the part of the work entitled "His Noble Numbers: Or, His Pious Pieces" in the 1st edition, specify |part=Noble Numbers.
• |1= or |volume= – mandatory in some cases: if quoting from the 1844 version, the volume number quoted from in uppercase Roman numerals, either |volume=I or |volume=II.
• |2=, |chapter=, or |poem= – mandatory: the name of the "chapter" or poem quoted from. Specifying the parameter value in the first column of the following table will produce the result indicated in the second column:

Robert Herrick's Hesperides

Parameter value	Result	First page number
1st edition (1648)
The Apparition of His Mistresse Calling Him to Elizium	The Apparition of His Mistresse Calling Him to Elizium	page 240
The Beggar to Mab	The Beggar to Mab, the Fairie Queen	page 262
Dedication	To the Most Illustrious, and Most Hopefull Prince, Charles, Prince of Wales	unnumbered page
Delight in Disorder	Delight in Disorder	page 29
Distaff	Saint Distaffs Day, or the Morrow after Twelth Day	page 374
Harmar	To His Learned Friend, M. Jo[hn] Harmar, Phisitian to the Colledge of Westminster	page 357
Empires	Empires	page 188
The Fairie Temple	The Fairie Temple: Or, Oberons Chappell. Dedicated to Mr. John Merrifield, Counsellor at Law.	page 101
Griefe	Griefe	page 282
Never Too Late to Dye	Never Too Late to Dye	page 268
His Content in the Country	His Content in the Country	page 233
No Difference i'th'Dark	No Difference i’th’Dark	page 329
Oberons Palace	Oberons Palace	page 191
Pemberton	A Panegerick to Sir Lewis Pemberton	page 168
To His Closet-Gods	To His Closet-Gods	page 266
To His Muse	To His Muse	page 1
To the Fever, Not to Trouble Julia	To the Fever, Not to Trouble Julia	page 91
To the King	To the King	page 278
To the Virgins, to Make Much of Time	To the Virgins, to Make Much of Time	page 93
Twelfe Night or Twelfth Night	Twelfe Night, or King and Queene	page 376
Upon Silvia	Upon Silvia. A Mistresse.	page 20
Wallflower	How the Wall-flower Came First, and Why So Called	page 12
His Noble Numbers: Or, His Pious Pieces
Jephthahs Daughter	The Dirge of Jephthahs Daughter: Sung by the Virgins	page 25
To His Angrie God	To His Angrie God	page 17
To His Conscience	To His Conscience	page 22
1844 version
Volume I
Amatory Odes
Delight in Disorder	Delight in Disorder	page 55
To the Virgins, to Make Much of Time	To the Virgins, to Make Much of Time	page 74
Upon Silvia	Upon Silvia. A Mistress.	page 146
Anacreontic and Bacchanalian
The Apparition of His Mistress Calling Him to Elisium	The Apparition of His Mistress Calling Him to Elisium	page 176
Volume II
Pastoral and Descriptive
Pemberton	A Panegyric to Sir Lewis Pemberton	page 49
Wallflower	How the Wall-flower Came First, and Why So Called	page 19
Fairy Land
The Beggar to Mab	The Beggar to Mab, the Fairy Queen	page 81
The Fairy Temple	The Fairy Temple; or Oberon’s Chapel. Dedicated to Mr. John Merrifield, Counsellor at Law.	page 70
Oberon's Palace	Oberon’s Palace	page 77
Charms and Ceremonies
Distaff	Saint Distaff’s Day; or, The Morrow after Twelfth Day	page 95
Twelfth Night	Twelfth Night, or King and Queen	page 94
Aphorisms
CXXI. Never Too Late to Die	CXXI. Never Too Late to Die.	page 115
CLXX. Grief	CLXX. Grief.	page 122
CCXVII. Empires	CCXVII. Empires.	page 129
Encomiastic Verses
Harmar	To His Learned Friend, M. Jo[hn] Harmar, Physician to the College of Westminster	page 175
To the King	To the King	page 165
Moral and Pathetic
His Content in the Country	His Content in the Country	page 233
To His Closet Gods	To His Closet Gods	page 190

In the 1st edition, as the dedication to Charles, Prince of Wales (later Charles II of England) is unpaginated, use |3= or |page= to specify the "page number" assigned by the Internet Archive to the URL of the webpage to be linked to. For example, if the URL is https://archive.org/details/bim_early-english-books-1641-1700_hesperides-or-the-work_herrick-robert_1648_0/page/n4/mode/1up, specify |page=4.

For help with adding other poems or linking English Wikipedia articles about the poems to the template, leave a message on the talk page or at "Wiktionary:Grease pit".

• |stanza= – the stanza number quoted from in uppercase Roman numerals if this is how it is indicated in the work, otherwise in Arabic numerals.
• |3= or |page=, or |pages= – mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:
  • Separate the first and last pages of the range with an en dash, like this: |pages=10–11.
  • You must also use |pageref= to specify the page number that the template should link to (usually the page on which the Wiktionary entry appears).

In the 1st edition in the part entitled "His Noble Numbers: Or, His Pious Pieces", the pagination restarts from page 1.

You must specify this information to have the template link to an online version of the work.

• |4=, |text=, or |passage= – the passage to be quoted.
• |footer= – a comment on the passage quoted.
• |brackets= – use |brackets=on to surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, "some people find the word manoeuvre hard to spell") rather than an actual use of it (for example, "we need to manoeuvre carefully to avoid causing upset"), or does not provide an actual instance of a term but provides information about related terms.

Examples

1st edition (1648)

• Wikitext: {{RQ:Herrick Hesperides|poem=Delight in Disorder|page=29|passage=A Svveet diſorder in the dreſſe / Kindles in cloathes a vvantonneſſe: / {{...}} / A vvinning vvave (deſerving Note) / In the '''tempeſtuous''' petticote: / {{...}} Doe more bevvitch me, then vvhen Art / Is too preciſe in every part.}}
• Result:
  • 1648, Robert Herrick, “Delight in Disorder”, in Hesperides: Or, The Works both Humane & Divine […], London: […] John Williams, and Francis Eglesfield, and are to be sold by Tho[mas] Hunt, […], →OCLC, page 29:

    A Svveet diſorder in the dreſſe / Kindles in cloathes a vvantonneſſe: / […] / A vvinning vvave (deſerving Note) / In the tempeſtuous petticote: / […] Doe more bevvitch me, then vvhen Art / Is too preciſe in every part.

• Wikitext: {{RQ:Herrick Hesperides|poem=The Fairie Temple|pages=102–103|pageref=103|passage={{quote-gloss|The altar is}} of a little Tranſverce bone; / VVhich boyes and Bruckel'd children call / (Playing for Points and Pins) '''''Cockall'''''.}}
• Result:
  • 1648, Robert Herrick, “The Fairie Temple: Or, Oberons Chappell. Dedicated to Mr. John Merrifield, Counsellor at Law.”, in Hesperides: Or, The Works both Humane & Divine […], London: […] John Williams, and Francis Eglesfield, and are to be sold by Tho[mas] Hunt, […], →OCLC, pages 102–103:

    [The altar is] of a little Tranſverce bone; / VVhich boyes and Bruckel'd children call / (Playing for Points and Pins) Cockall.

1844 version

• Wikitext:
  • {{RQ:Herrick Hesperides|year=1844|volume=I|poem=Delight in Disorder|page=55|passage=A sweet disorder in the dress / Kindles in clothes a wantonness; / {{...}} / A cuff neglectful, and thereby / Ribbons to flow '''confusedly'''; / {{...}} Do more bewitch me, than when art / Is too precise in every part.}}; or
  • {{RQ:Herrick Hesperides|year=1844|I|Delight in Disorder|55|A sweet disorder in the dress / Kindles in clothes a wantonness; / {{...}} / A cuff neglectful, and thereby / Ribbons to flow '''confusedly'''; / {{...}} Do more bewitch me, than when art / Is too precise in every part.}}
• Result:
  • 1648, Robert Herrick, “[Amatory Odes.] Delight in Disorder.”, in Hesperides: Or, The Works both Humane & Divine […], London: […] John Williams, and Francis Eglesfield, and are to be sold by Tho[mas] Hunt, […], →OCLC; republished as Henry G. Clarke, editor, Hesperides, or Works both Human and Divine, volume I, London: H. G. Clarke and Co., […], 1844, →OCLC, page 55:

    A sweet disorder in the dress / Kindles in clothes a wantonness; / […] / A cuff neglectful, and thereby / Ribbons to flow confusedly; / […] Do more bewitch me, than when art / Is too precise in every part.

    The spelling has been modernized.

• Wikitext: {{RQ:Herrick Hesperides|year=1844|volume=I|poem=To the Virgins, to Make Much of Time|stanza=1|page=74|passage=Gather ye '''rose-buds''' while ye may, / Old Time is still a flying: / And this same flower, that smiles to-day; / To-morrow will be dying.}}
• Result:
  • 1648, Robert Herrick, “[Amatory Odes.] To the Virgins, to Make Much of Time.”, in Hesperides: Or, The Works both Humane & Divine […], London: […] John Williams, and Francis Eglesfield, and are to be sold by Tho[mas] Hunt, […], →OCLC, stanza 1; republished as Henry G. Clarke, editor, Hesperides, or Works both Human and Divine, volume I, London: H. G. Clarke and Co., […], 1844, →OCLC, page 74:

    Gather ye rose-buds while ye may, / Old Time is still a flying: / And this same flower, that smiles to-day; / To-morrow will be dying.

    The spelling has been modernized.