Template:RQ:Morris Decorative Arts
[1878], William Morris, The Decorative Arts: Their Relation to Modern Life and Progress […], London: Ellis and White, […], →OCLC:
- The following documentation is located at Template:RQ:Morris Decorative Arts/documentation. [edit]
- Useful links: subpage list • links • redirects • transclusions • errors (parser/module) • sandbox
Usage
editThis template may be used on Wiktionary entry pages to quote William Morris's work The Decorative Arts: Their Relation to Modern Life and Progress (1st edition, 1878). It can be used to create a link to an online version of the work at the Internet Archive.
Parameters
editThe template takes the following parameters:
|1=or|page=, or|pages=– mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:- Separate the first and last pages of the range with an en dash, like this:
|pages=10–11. - You must also use
|pageref=to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).
- Separate the first and last pages of the range with an en dash, like this:
- This parameter must be specified to have the template link to the online version of the work.
|2=,|text=, or|passage=– the passage to be quoted.|footer=– a comment on the passage quoted.|brackets=– use|brackets=onto surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, “some people find the word manoeuvre hard to spell”) rather than an actual use of it (for example, “we need to manoeuvre carefully to avoid causing upset”), or does not provide an actual instance of a term but provides information about related terms.
Examples
edit- Wikitext:
{{RQ:Morris Decorative Arts|page=21|passage=For as was the land, such was the art of it while folk yet troubled themselves about such things; it strove little to impress people either by pomp or ingenuity: not '''unseldom''' it fell into commonplace, rarely it rose into majesty; yet was it never oppressive, never a slave’s nightmare or an insolent boast: and at its best it had an inventiveness, an individuality, that grander styles have never overpassed: {{...}}}}; or{{RQ:Morris Decorative Arts|21|For as was the land, such was the art of it while folk yet troubled themselves about such things; it strove little to impress people either by pomp or ingenuity: not '''unseldom''' it fell into commonplace, rarely it rose into majesty; yet was it never oppressive, never a slave’s nightmare or an insolent boast: and at its best it had an inventiveness, an individuality, that grander styles have never overpassed: {{...}}}}
- Result:
- [1878], William Morris, The Decorative Arts: Their Relation to Modern Life and Progress […], London: Ellis and White, […], →OCLC, page 21:
- For as was the land, such was the art of it while folk yet troubled themselves about such things; it strove little to impress people either by pomp or ingenuity: not unseldom it fell into commonplace, rarely it rose into majesty; yet was it never oppressive, never a slave’s nightmare or an insolent boast: and at its best it had an inventiveness, an individuality, that grander styles have never overpassed: […]
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