hybridicity

English

Etymology

From hybrid +‎ -icity.

Noun

hybridicity (countable and uncountable, plural hybridicities)

hybridism, hybridity, hybridness; in particular, the degree thereof.
- 2009, Ursula Voss, PhD, Romain Holzmann, Dr, Inka Tuin, MD, Allan J. Hobson, MD, Lucid Dreaming: a State of Consciousness with Features of Both Waking and Non-Lucid Dreaming, in: Sleep, Volume 32, Issue 9, September 2009, Pages 1191–1200
  As with power values, the hybridicity of lucid dreaming is most pronounced in frontal and frontolateral coherences.
- 2014, N. Azevedo, D. Pinheiro, G.-W. Weber, “Dynamic programming for a Markov-switching jump-diffusion”, in J. Comput. Appl. Math., 267 (2014) 1-19:
  When speaking about the properties of real life as it expresses itself in nature, we learn that it is nonlinear rather than linear. One way to move between both is piecewise linearity, which we can easily generalize to piecewiseness or “hybridicity” in general, e.g., in Engineering, specifically in Electrical Engineering and Electronics, and in Economics.
- 2016 November 1, W. Trottier-Lapointe, O. Zabeida, T. Schmitt, L. Martinu, “Ultralow refractive index optical films with enhanced mechanical performance obtained by hybrid glancing angle deposition”, in Appl Opt, 55(31):8796-8805 (abstract):
  The performance of the films is discussed in terms of their hybridicity (organic/inorganic) ratio determined by infrared spectroscopic ellipsometry as well as the presence of anisotropy assessed by the nanostructure-based spectroscopic ellipsometry model.
- 2019, Leanna Smithberger, “A Suite in Six Attitudes: Subverting (and Succumbing to) the A Suite in Six Attitudes: Subverting (and Succumbing to) the Textual Bias”, in Kaleidoscope: A Graduate Journal of Qualitative Communication Research, Volume 18, Article 4:
  It is important to note, however, that textual agency is best considered in terms of the hybridicity, or synthesis, of action, which is to say the acknowledgement that action does not have a fixed point of origin[.]
- 2020, Molly Pennington, 100 worst dramas of all time, in: stacker, December 24 2020
  Adapted from the powerhouse Broadway hit, the translation from stage to screen becomes a wackadoodle and uncomfortable inquiry into feline humanoid hybridicity.