English

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Noun

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(uncountable)

  1. Alternative form of noh.
    • 1973, Leonard C[abell] Pronko, “Nō and Kyōgen: Texts”, in Guide to Japanese Drama, G. K. Hall & Co., →ISBN, page 65:
      The twenty-two kyōgen in this volume give a broad sampling of the delightful comic interludes which were traditionally performed between the more austere plays.
    • 2014, Monica Bethe, Eric C. Rath, J[ohn] Thomas Rimer, Mikio Takemoto, Theatre of Dreams, Theatre of Play: Nō and Kyōgen in Japan[1], Sydney, N.S.W.: Art Gallery of New South Wales, →ISBN:
      A major review of the sarugaku system took place during the rule of the eighth shogun Yoshimune (1684–1751), when the solemn style of theatre known today was largely established.
    • 2024, Diego Pellecchia, “Reception of Nō in the Late Nineteenth and Early Twentieth Centuries”, in Yamanaka Reiko, Monica Bethe, Eike Grossmann, Tom Hare, Diego Pellecchia, Michael Watson, editors, A Companion to Nō and Kyōgen Theatre (Handbook of Oriental Studies; section 5 (Japan), volume 19), volume 2, Leiden: Brill, →ISBN, section 8 [], page 671:
      Among the first foreigners in Japan to have contact with were diplomats and intellectuals who appreciated the literary elements of its texts.

Hawaiian

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Etymology

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(This etymology is missing or incomplete. Please add to it, or discuss it at the Etymology scriptorium.)

Pronunciation

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Particle

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  1. very, quite, indeed Used to intensify the preceding word

Japanese

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Romanization

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  1. Rōmaji transcription of のう
  2. Rōmaji transcription of ノー

Rapa Nui

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Etymology

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From Proto-Polynesian *noa. Cognates include Hawaiian and Maori noa.

Pronunciation

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  • IPA(key): /ˈnoː/
  • Hyphenation:

Particle

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  1. Used to express limitation; only, just, the only

References

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  • Paulus Kieviet (2017) A grammar of Rapa Nui[2], Berlin: Language Science Press, →ISBN, page 266