mannerism

See also: Mannerism

English edit

	A user suggests that this English entry be moved, merged or split.
	Please see the discussion on Requests for moves, mergers and splits⁽⁺⁾ for more information and remove this template after the request has been fulfilled.

mannerism (countable and uncountable, plural mannerisms)

A noticeable personal habit, a verbal or other (often, but not necessarily unconscious) habitual behavior peculiar to an individual.
- 1897 December (indicated as 1898), Winston Churchill, chapter I, in The Celebrity: An Episode, New York, N.Y.: The Macmillan Company; London: Macmillan & Co., Ltd., →OCLC:
  In the old days, to my commonplace and unobserving mind, he gave no evidences of genius whatsoever. He never read me any of his manuscripts, […], and therefore my lack of detection of his promise may in some degree be pardoned. But he had then none of the oddities and mannerisms which I hold to be inseparable from genius, and which struck my attention in after days when I came in contact with the Celebrity.
Exaggerated or affected style in art, speech, or other behavior.

habitual behavior

Finnish: maneeri (fi)
French: manie (fr) f, tic (fr) m, maniérisme (fr) m
German: Maniertheit f, Manier (de) f
Irish: faisean m, gothaíocht f, nósúlacht f, snas m
Russian: мане́рность (ru) f (manérnostʹ), маньери́зм (ru) m (manʹjerízm) (West European style in literature, etc.)

exaggerated or affected style

	A user suggests that this English entry be cleaned up, giving the reason: “Definitions in need of less biased and more descriptive language”.
	Please see the discussion on Requests for cleanup⁽⁺⁾ for more information and remove this template after the problem has been dealt with.

From Italian manierismo, from maniera, coined by Luigi Lanzi at the end of the 18^th century.

mannerism (countable and uncountable, plural mannerisms)

(art, literature) In literature, an ostentatious and unnatural style of the second half of the sixteenth century. In the contemporary criticism, described as a negation of the classicist equilibrium, pre-Baroque, and deforming expressiveness.
(art, literature) In fine art, a style that is inspired by previous models, aiming to reproduce subjects in an expressive language.